Today's date: frjádagr 30. harpa eða 24. may 2013 CE

Tag archives for runes

Ek em heiðinn

After a 20-year journey, I declare myself today a Heathen. It’s time. The tide of religious superiority must change, and those beliefs left trampled and broken by the Christian onslaught must rise from the ashes and reclaim what is theirs. I’ve sworn my oath. Stained the runes. This is a short piece about why.

The forced subjugation of the Northern European Heathen societies — and all pagan societies around the world — by the Christian church has done near irreparable harm to the earth and humanity. In Europe alone, centuries of artistic, societal, and cultural discoveries were destroyed along with the people who made them.

Jaweh — proclaimed a god of “love” by his adherents — has inspired more mass destruction, murder, rape, and pillaging than any other god ever worshiped. He is a god of subjugation, torture, and sorrow. Though claimed to be omniscient and omnipotent, he allows murder in his name. He allows corruption at the highest levels of his church. Misogyny, pedophilia, pestilence and disease. Either he’s not there or doesn’t care.

He is a dictator and his rules are anathema to humanity. His adherents must satisfy themselves with the life they’re given — no matter how humiliating — and wait for death to be redeemed. They are promised heaven; to be with everyone they once loved. His real plan as dictated by scripture is for them to eternally labor in the fields in sight of his palace, but never allowed to enter. All of this in the name of “love”.

The Heathen gods in contrast serve as moral and ethical examples of human behavior.  They ask nothing more of their followers than what is common human courtesy: friendship for those who earn it; hospitality for the weary; defense of the helpless; honor, respect, love for the family; to celebrate when appropriate and mourn when necessary. Negotiation or trade before war. They ask us to live well.

They inspire through their own actions, not with threats or promises of an invisible future. Their own quests for wisdom and lore are guidelines for human existence. They show us to look for life in the face of death. To continually seek knowledge and to share what we find. They teach the perseverance of courage in the face of fear. Their occasional punishments are just and fitting for the transgression.

In the end, what the Heathen gods ask of us is nothing more than to be human. To accept what that means and to discover the rest for ourselves.

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Runic template

In my rune research the other day, I followed a hypothesis that “eight” and “ætt” are cut from the same cloth. That there is more than phonetics connecting the two. It turns out that I wasn’t far off. Átta is the Old Norse word for the cardinal number eight, descended from átt which relates to directions (north, north-west, west, south-west, south, south-east, east, north-east). Also according to Cleasby-Vigfusson, certain writers would write átt and ætt indiscriminately which tells me that at some point they held the same meanings. In other words, during the development of the Old Norse language, the word that references the cardinal directions could have been the same as the word for family (though a comment in CV calls this “fanciful”, it is the only thing that explains the shared usage).For me, this was the trigger for further exploration.

We already know that the heavens are divided into eight segments (cardinal directions, as well as mythologically) for Norse Heathens. Add to that this idea of “family”, and we end up with an interpretation of ætt as a possible social compass (which I’ve seen mentioned in a few different places over the last month or so). A guidance given to us by our connection to our kin. This idea struck me as very powerful, and I started to re-examine the Elder Futhark with it in mind. Three rows of eight (átta). Each row referred to as an ætt.

When I started to replay the meanings of the runes with this idea in mind, I noticed a kind of story arc  from rune to rune. This idea had occurred to me before, too, but I figured I would stick with it this time and see what happend. Especially since it was a story arc that I was also noticing in my readings of Njal’s Saga and Egil’s Saga and that I had seen inklings of in the Havamal. In short, the order of the runes through the Elder Futhark can be seen as a template for living, as a model to follow in order to get the most out of Heathen life.

For example, the meaning of FEHU is clear as being about wealth, but wealth in a more transient mode — ie, pocket money — with a warning that it can spoil relationships (Gunnar returning from his adventures dressed in fine furs, Sigurd and his “river fire”: neither of which led to great happiness). Whereas the meaning of OTHALA is also wealth, but wealth that is able to be bequeathed to next of kin (what Flosi and Kari end up with at the end of Njal’s Saga). Wealth that is in the form of a stable home, family, inheritance. Even just looking at those two runes, we can start to see the beginnings of a story — from pocket money to transferable wealth — but can’t make much more out of it other than the idea that money now can become an inheritance later.

Looking at the Futhark in this light also helps with some of the more confusing interpretations. KENAZ is a great example of this. It’s a real puzzler. Across the three rune poems, it is represented as meaning three different things: a scab from a skinned knee or a battle scar, the weight of misfortune, or the lamp-lit safety of a cozy cottage. Looking at the rune by itself poses a challenge for interpretation — though it is possible, and most runesters ignore the Icelandic and Norwegian poems altogether. However, when looking at it from the point of view of ætt-as-story-arc, we can begin to see that KENAZ is the wound you live from and tell stories about. Especially coupled with RAIDHO to its left and GEBO to the right. H0w many sagas are there, heroic tales are there, that tell of a hero who goes on a journey (RAIDHO) only to return home with scars and stories (KENAZ) and gifts (GEBO) for his friends? And this continues through every row: each rune has a meaning that sets it as a particular place in a person’s life.

FEHU and OTHALA, KENAZ can all be viewed with this overarching idea, and so can the other 23 runes. Using this interpretation, each rune represents a moment or concept within the progression of one’s life. Either it is a moment that must happen in order to move forward, or it’s a moment that — if it does happen — has to be handled in a certain way or with a certain process.

The first row represents the arc of youth: get some money together (FEHU), prove yourself in tests (URUZ) and against strong opponents (THURISAZ). Journey off into the world and return with stories and gifts to the joy of your clan (WUNJO). The second row is the introspective process of middle age. It’s about internal needs (NAUTHIZ) and their relationship with the forces of nature (ISA) and how we control our interactions with them (PERTHRO). The third row is old age, then. Great sacrifice starts it off (TIWAZ) and there are images of rebirth (BERKANO) and renewal (reconciliation? retirement?), connections with other people (MANNAZ) in a more profound way than before, and then the end. OTHALA and our ability to bequeath some legacy to the next generation’s youth. Obviously there are runes I’m not mentioning, but you get the idea.

Once we have a template, we can do all kinds of things with it. We can use it as a guide for our children, we can use it as a foundation on which to build a society. We can even use it as a map to find ourselves if we’re feeling lost or as a guide to what might be coming up next. I’m using it as a way of trying to find more accurate interpretations of each rune’s meaning. It makes sense that a society priding itself on wordplay, wisdom, and storytelling would have developed a system like this. Given that, I feel comfortable continuing in this vein in the hopes of putting more of the pieces together.

I’ve got a lot more work to do with this line of work, but I figured I would share what I’ve got so far in the hopes we can all help add to the collective thought and work towards recreating so much of what has been lost over the years.

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From a comment to a translation of KENAZ

In the process of posting to a blog (http://heksebua.com/linda/2011/09/rok-runes-6-kaun/), I made a breakthrough in my attempt at trying to come to terms with KENAZ.

This has been a tricky one because the Old Norwegian and Old Icelandic poems talk about wounds while the Anglo Saxon talks about safety and light inside a cabin.

For the Old Norwegian poem, I had translated it as this: “Scab is a bending child; misfortune makes pale humans”. Literal, to be sure, but implies bending from pain and does indeed imply that death can come from misfortune.

The puzzle with this one is the similarity between Icelandic and Old Norwegian, but the vast difference in the Anglo-Saxon version. A well-lit cabin is very different than infection and pain caused by a wound.

This is where I start to ask myself contextual questions. Wounds when survived are talking points, triggers for stories around a fire. As with most runes, I think there’s a story — instead of simple meaning — with this one. It’s about adversity.

A child’s scrape from playing is a mark of their passing through life, a battle wound is a mark of passing through adult life, and then you can sit around the fire and tell the stories. KAUN (KENAZ) then is the adversity or pain itself and the surviving of that pain and a reminder that we should remember what we’ve been through to get where we are.

This is also in keeping with the progression of the Elder Futhark from FEHU to OTHALA.

Anyhow, I’m glad there are others out there working these through. It’s going to take all of us to reclaim the information the runes represent. Thanks for allowing the space for commentary.

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Heathenism in the 21st century

Kind of a short post here, but the sentiment is from my heart: stop creating “Heathen” groups. It doesn’t make any sense.

Heathenism is powerful because of its decentralized and unorganized nature. Families on disparate farms had their own ways of tracking and marking holidays, prayer and sacrifice were — for the most part — individualistic (Uppsala was a huge center for worship where yearly feasts were held, however, and is an example of there being some kind of organization). Part of this decentralized nature could be attributed to regional weather, travel difficulties, distances between farms, perhaps; though it must be said that if any group of people took to travel, the Northern Europeans did. I think, though, that the greater proportion of reason for a lack of centralization lies in the very nature of what Heathenism is.

To be a Heathen is to simply be. To live as a human and get the most out of each day. To strive forward and live with a code of ethics based on honor. To care for your family and friends, to help your neighbors if they need it, to treat each day as though it could be your last. To be a Heathen is to enjoy the hell out of living. You don’t need an organization and weekly meetings and reading assignments to do that.  In fact, it’s better to start your own kindred among your family and close friends. Share old heathen stories with each other, vent about the work day, make a good meal, revel in your shared and personal existences. Work together to understand your place in the scheme of things, and let your common sense guide you in how you will represent heathenism to your neighbors and community.

The constant influx and arguments from the neo-Heathens about which organized group best represents “true” Heathenism is absurd. Those are the arguments for Christians, not for us. There’s no need for a Heathen Martin Luther with his 99 points. Each kindred is going to have different needs, experiences, and expectations out of life. There’s just no way or need to force all of those people to follow the same tenets, rituals, rules, etc. If you must have an example, look to the philosophers.

Existentialism in its simplest form is Heathenism. The understanding that our reason for being here may never be known, that there is no universal moral compass, that we are in charge of our own destinies and decisions. There is great freedom in these things. Great freedom and tremendous responsibility and room for error. These are the foundations upon which an ethical and powerful life can be built if one chooses to do so. These are the foundations of Heathenism. Unfortunately, attaching yourself to a pre-fab neo-Heathen group’s not going to help you. It’s going to turn you into a sheep who cowers from the adventure of free choice, who follows instead of leads. A sheep who might as well be Christian. This is something we each have to find and understand on our own.

So in closing, there’s nothing wrong with a good bonfire a few times (or more) a week, some good mead or beer to clear the head, and a few raucous cries to the heavens in case the gods are listening. Just don’t let anyone else tell you when or how you should do it. Make your own noise as you barrel through life. Laugh at your troubles. Brace yourself for the challenges. Live full and proud and as long as you can. It’s what life is for, after all.

 

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Displaying an Old Norse date

I’ve been working on a Norse calendar for a couple of weeks. My goal is to get a repeatable system that I can build against an active Gregorian calendar and start tracking time with it. During my search for ideas and information, I came across a good site over at http://norse.ulver.com. The site is in Russian, but there’s a page — here http://norse.ulver.com/calendar/script.html — where a guy named Tim Stridman has posted a Java applet — complete with winter/summer and cross-quarter symbols — and JavaScript script to convert the current Gregorian date to a displayable Norse date. I liked it so much that I ported it to php and am running it at the top of my site (that thing in red up there).

While it’s based on his code and algorithms, any mistakes in the php are mine alone.  The version I ported was from his JavaScript file, so I don’t have the cross-quarter dates, easter timing, or any of that other cool stuff. I may get to a point where I reverse engineer it and add it in later.

At any rate. Thanks, Tim, for providing cool stuff for the web. Well done.

My translations of the rune poems are coming along quite nicely. I’ve completed the Old Icelandic poem and am more than 2/3rds of the way through the Old Norwegian one. I will be reading the Old Icelandic — both the original and my translation — in Hardwick, VT on February 25, so I’m focusing more on pronunciation than new translations.

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Reading runes this month in Hardwick, VT

I’ve been working on my own translation of the Old Icelandic rune poems for a month or so now and am going to be reading it alongside the original language later this month. I was supposed to do it last month, but got sick. Now I’m scheduled for February 25th. In spite of my Old Norse accent being somewhat weak, I’m really excited. Each poet gets 15 minutes to read, so I’ll get a chance to discuss a bit, too.

The rune poems are three poems written in Old Icelandic, Old Norwegian, and Old English that describe through riddles and metaphor the meanings of the runes in the Younger Futhark. Through thoroughly reading and comparing the three poems, we’re able to interpret the meanings of the Elder Futhark for use in runic practice. I’ve finished a translation of the Old Icelandic (Norse) version, and now I’m working on the Old Norwegian. They’re actually really similar to each other, the Norwegian being a different dialect with the same declensions as Old Norse.

I’m contemplating whether I want to publish the translations here or through our soon-to-be-born imprint, Midwinter Fire Press. Either way, I’ll be posting here once the decision is made.

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Rune Explorations: Fehu

FEHU (FAY-hoo) is the first rune of the three rows or Aetts of the Elder Futhark. The word FEHU comes from the Proto-Germanic and is the origin of our modern word “fee”.

The literal and pictographic representation of FEHU is the domesticated cattle. Cattle were often used to pay debts, settle disputes, and establish other types of trade. The use of cattle in this way is documented in Tactitus’ “Germania” (Germania 12.80) as a way of paying societal or criminal fines.  The rune still brings to mind that kind of association we have with “fee”: the stuff we use to pay our debts and obligations. Though sought after and valued as a means to an end, this is not the kind of wealth you want to focus on for your entire life.

FEHU represents money and the problems caused by valuing it above all else. “Money is kinsmen’s quarrel,” the rune poem says. “Path of grave-magic,” it continues, then “fire of the sea” or “flood-tide’s token”. Retrieving the wealth FEHU describes can require a dangerous and strife-filled path if we’re not careful. The Anglo-Saxon poem says it’s better to give it out if you have it. The Havamal and many of the sagas support this opinion.

The Havamal says (trans. Carolyne Larrington):

Even a man who knows nothing
knows that many are fooled by money;
one man is rich, another is not rich,
he should not be blamed for that.

Fully stocked folds I saw for Fituing’s sons,
now they carry beggar’s staffs;
wealth is like the twinkling of an eye,
it is the most unreliable of friends.

I believe that FEHU should not be used to represent some kind of originating force or essence. It’s connection with monetary wealth and the dangers of same are so obvious that the esoteric leap to originating force seems to me a stretch. To call it also an originating force of the universe (as Edred Thorsson does), we are in essence saying that the origins of our universe are connected to money. Disposable cash. If FEHU is a beginning or originating force, it may be as the means to undertake a journey, but not as the journey itself, and certainly not as some primal force.

It is significant that FEHU is the first rune and OTHALA — the rune representing homestead, hearth, permanent home — is the last. FEHU is the beginning of the journey. The hacksilver in your pocket or on your wrist that gets you from one place to another. It’s your cab fare, bill money, the stuff you need on hand in order to make ends meet. It’s never the end goal, however. It’s just your first step. A head of cattle aren’t worth much if you’ve got no farm on which to feed them, an old Norse philosopher might say.

So with FEHU  must come the understanding that a quest for money for its own sake is foolish and possibly dangerous (“grave-magic” and the story of Fafnir’s gold come to mind). Goals in life should be broader, farther-reaching, and have more personal and societal impact than simply wanting to accumulate disposable wealth. Money is fleeting, the Havamal tells us. It’s best not to rely on it more than necessary. Perhaps FEHU is a fitting rune for us to meditate on even — or perhaps especially — in the 21st century. FEHU is the money itself, the advice on how to use it best, and a warning against greed.

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Elder Futhark and Runic thinking

I’ve been studying the runes for almost 20 years now. I was in my freshman year of high school when I first stumbled across these mysterious symbols as I was doing research for a chemistry paper: a picture of a Viking-era sword whose blade was etched with a combination of “Isa”, “Nauthiz”, and “Tiwaz”. I didn’t know that at the time, of course. All I knew was that they called to me. Reached out to me from that CD-ROM and dared me to understand what it meant. I’ve done what I could over the past 20 years to answer that dare.

During that period of time I’ve seen many ebbs and flows in the direction of the studies of the masses into runes and rune-lore. I’ve tried some of them on, and dismissed others out-of-hand. From those chintzy pewter necklaces based on the Blum book in the eighties, to the quasi-neo-nazi symbolistic revival of Asatru as the “true religion”, to the scholarly advances of Edred Thorsson and everything in between. While I wouldn’t say that every attempt has been without merit, not one attempt has contained enough real truth for my satisfaction.

If you’re reading this and are close to the study of rune-lore, this is where you will point out that since we have so few primary source materials about the original study of runes, we will never come close to the truth. Maybe you’ll say that what we have is a good enough approximation that we can get by with it. I won’t disagree with you outright. I will challenge, however, that out of all of those attempts, little has been done to relate our studies of runes to the daily culture of the originators. That’s not to say we haven’t accounted for differences in semantic meanings, but I believe we’ve not come very far in understanding and then transposing original meanings into contemporary culture.

For example, fehu’s meaning as money, mobile wealth, cattle is certain. We have reference to as much within the runic poems, the etymology of the word “fee” can be traced back to “feoh” which is a derivative of the proto-Germanic “fehu”. Good. However, what we haven’t done is a good enough job of interpreting the originating culture’s concept of money for our contemporary age. Instead, we’ve tried to glom some quasi-supported esoteric “creative energy in the multiverse” meaning to fehu which doesn’t make any sense. That’s the equivalent of saying that the concept of mobile property, money, cattle, etc. brought to mind the creative energy of the multiverse to a 7th century godi. Seriously? Since when does the power to barter bring to mind a mythological creation of time?

What I’m advocating is not a cease and desist on meditative practices or individual understanding of runes. I’m advocating an increase in intensity the anthropological/sociological research into the cultures who used the runes in order to understand how they applied to them. By doing so, we can then use our meditative practices to interpret their meaning to us in the 21st century.

I’m referring specifically to Edred Thorsson’s book “Futhark” and the website runesecrets.com. I have a copy of Thorsson’s book and have perused RuneSecrets. While I don’t hold any ill will towards either site — there is good information within both — I tend to have more faith in the approach of the Rune Net group. A tempered and historically-driven search for evidence of mystical meaning that is then backed by the meditative findings of the individual. That’s all I ask.

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One week plus with my tattoo

My tattoo has been healing nicely. The initial layer of inked skin has peeled off leaving the impression that I’ve had these symbols etched into my skin with a long piece of burning charcoal. I’m actually really digging it, and am glad I’ve had it done.

Some of you may know that I’ve been wanting a tattoo for some years now, the design and message of which was unknown to me, however. I expected after getting this done that I would be pleased with it. I didn’t expect, however, the effect it’s had on me.

These seemingly innocuous marks of ink have a weight — a solidity about them. I find myself checking my left wrist as though I were wearing a watch — it feels as though something tangible is attached to me. An echoing tendency to think twice about things that will affect my household has become ever-present, and I’ve realized that I’m a lot less likely to shirk my homestead chores. In short, my tattoo has become an indelible reminder of what it stands for. It is the symbol,  meaning, and literalness of that which it represents: family. Household. Skuldalið. All of that makes sense because that triptych of meaning is the ultimate purpose of runes.

Runes are an abstract picture of a people’s concept of an idea. Within each shape is found the sound, symbol, and definition of the concept for which they stand. Taken in of themselves, each rune is a kind of tiny poem. Wordless in its chanting, but as poignant as Haiku in its directness. When placed together, the effect is simply multiplied.

For me the result can be felt physically. The weight of my action, the talisman of the combined runes, and the meaning of the word they together represent will continue to live with me and inform my actions from here on out. All of which was my intent.

I didn’t, after all, get the tattoo to add to my collection or separate me from the pack. I didn’t get it to represent to the outside world some puffed up idea of my own identity. I got it as the talisman it’s become. The tattoo is a constant reminder of the joyful burden that is family, and because of that it is serving its purpose.

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My new Tattoo

Skuldalið. Old Norse for "family" or "household" written in runes for talismanic properties.

Skuldalið. Old Norse for "family" or "household" written in runes for talismanic properties.

I got my first professional tattoo this weekend. I’ve been thinking about a tattoo since high school, but there was never anything that struck me as a permanent idea. Something that I wouldn’t mind embedded in my skin for the decades of my life I’ve yet to live. As I’ve grown older, though, some very relevant concepts have remained constants in my life. It is one of these constants that I chose to get imprinted on the inside of my left arm: family.

My concept of family, though, is nothing like the sociological sense of “nuclear” or “broken” or “alternative” that we hold on to today. Family to me is the idea that there are inherent obligations towards a certain set of people — obligations which go above and beyond the needs of other people.

Also, my perception of family is as one of the rings on the hierarchy of human experience. Being human requires participation in this hierarchy — at least it does in an existential mode of living — and it’s how I choose to live. The rings go from inner to outer in the following order: self, family, clan, neighborhood, village, town. Anything beyond “town” is a purely socio-political idea that doesn’t really affect humanity other than mashing us all together in one place. The six I’ve listed, though, coincide to our spheres of influence, from most influence to least influence. Each sphere, however, has more influence over the next one than the previous sphere does. For example, I have more control over myself than my family. However, a neighborhood has more control over a village than a family does.

This idea of a kind of concentric living is, as I said above, part of the existential experience. More importantly, though, it is also part of the human tribal experience and has been for centuries. At any point in human history, at any given gathering of humans, this kind of structure could be observed. It is in that spirit that I chose the concept of “family” for my tattoo.

The end result is nine runes (Sowilo, Kenaz, Uruz, Laguz, Dagaz, Ansuz, Laguz, Isa, Dagaz) that create a ritualistic presentation of the Old Norse word “Skuldalið”. Approximately translated it means “family” or “household”. I chose runes because of a closeness to my own sense of being, as well as a deep sense of connection to that aspect of my personal history. Runes are also used to elevate a word to a more potent talismanic idea.  A word written in runes is not just the word, but the idea of that word and the impact that it has on those who read the runes.

Family is everything to me. From that, I gain my own sense of well-being and foundation. I also define my family through my own actions. Ultimately, the world’s perceptions of me and of my family are one and the same. If I want my family to continue to thrive, then I must temper my actions against not only what is good for me, but also for my family. From there, the clan on out are also affected.

Skuldalið. Family. Household. My life.

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